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Paulina Rubio
It takes a lot of time to conquer the hearts
of the whole world-just ask Mexican singer Paulina Rubio. Over
the course of the past two decades, she's seen success as part
of the biggest teen act in her homeland, enjoyed popularity as
an actress on the big and small screens, and become the reigning
golden girl of Spanish pop."I think music is like love," sighs
the south-of-the-border phenomenon, when asked about her first
foray beyond the Latin market. "You kiss someone to give
and receive an energy, a connection. I'm trying to connect
with people worldwide, to send out my musical kiss around the
whole planet."
With gold or platinum success in eight
different nations, and an infectious English-language debut,
Border Girl, set to drop, there's only one thing to say: pucker
up, world. Born to one of Mexico's most celebrated film stars,
Susana Dosamantes, and raised in Mexico, Los Angeles, and Spain,
Paulina's exposure to her mother's trade made a huge impact
on the budding artist at a tender age. "My mom was shooting a lot of films in
Europe when I was young, so we were traveling with her around
the world, with a lot of artists around: writers, architects,
singers, filmmakers," exclaims Rubio. "It made me very
independent, and that is when I started making some of my own
decisions, at around 7 or 8."The first personal decision
that set her on the road to fame was to begin training in singing
and dancing, which led to her enrollment at a prestigious performing
arts school at the age of eight.
Within two years, Paulina's talents were
so evident that she was chosen to be part of the popular children's
recording group Timbiriche. Though she still balanced her schoolwork
with her newfound popularity (good grades were a mandate for
staying in the group), she says "the real lessons were recording and
performing" for rabid audiences throughout South America.After
spending nearly a decade as part of the successful group, Paulina
decided that the time was right to leave Timbiriche, and few
were surprised when her much-anticipated solo debut, La Chica
Dorada, spawned three number-one singles and scored platinum
sales. In the interim, she's duplicated that triumph with four
more smash hit CDs and taken on another challenge, following
in her mother's footsteps as a film and television star. "Acting
was like a hobby for me," Rubio notes modestly of her hit
soap opera roles and her film work, "but music is my priority.
I love to perform, and to spread my music and my messages."
With her English-language debut, she's
primed to spread them beyond the language barrier and the borders
that have kept her relatively unknown to American audiences.With
tracks that bridge the gaps between rock, pop, dance, and traditional
Mexican rhythms, Border Girl fuses the diverse influences Paulina
has absorbed throughout her lifetime. The romantic title ballad
was penned by Richard Marx, fresh from chart-topping songwriting
credits with *NSYNC and SheDaisy, but Paulina's newest fans
will be introduced to her via the TRL-ready lead single, "Don't Say Goodbye," an
infectious, hook-laden tune which will benefit from the one-two
punch of also being released in the Spanish world as "Si
Tu Te Vas.""Stereo" features breathy vocals and
a minimalist production value that brings to mind the sultrier
collaborations between Janet Jackson and long-time producers
Jimmy Jam and Terry Lewis.
One of Paulina's favorites, the R&B styled tune also features
a rap cameo from rising hip hop star Pretty Willie. "To
me, 'Stereo' is about the rhythm on the streets; the feeling
of having friends around, of going to parties and dancing to
a good DJ." And dancing is something that this caliente
beauty is all too familiar with. The syncopated simplicity of
tracks like "Sexual Lover," "Fire - Sexy Dance," and "Libre" conjure
images of packed European discos and feature soaring vocals that
prove her mettle as a dance diva-though she's quick to point
out that her audience is not limited to the clubs. "My music
is in nightclubs, but also in kindergartens and at weddings,
and all kinds of places," she says of her broad appeal. "In
music, there are no rules. Like painting, you can mix colors
and textures. I feel very free to perform dance, rock, and whatever
else I want."The most surprising-and arguably the most fun-track
the record is its cover of the KISS classic "I
Was Made For Lovin' You," an old favorite of Paulina's
which she re-imagines as a dance-floor hookup anthem. "I
remember hearing that song with all my aunts when they were in
their 20s and I was 10 or 11," she recalls, "and I
also went to see KISS with my father when I was young. Years
later, I was actually at an aerobics class and had the idea to
do it my way, and I was really glad that Universal Records and
[Universal CEO] Doug Morris were behind it." The songstress
was also delighted when she recently heard news that someone
else is supportive of the track: KISS singer Paul Stanley!Of
course, Paulina's Mexican roots are featured prominently on numerous
tracks, with flamenco guitars accenting "The One You Love," brass
flourishes heating up "Casanova," and plenty of both
featured on "The Last Goodbye."
One of four Spanish hits translated and
re-recorded for Border Girl, it is a mixed palate of the rhythms
of the Tijuana streets Paulina knows so well with the hip hop
and pop influences culled from years of performances for her
diverse global audience."I
grew up doing concerts and I'm going to die doing concerts all
over the world," affirms the Mexican firebrand. "That's
what I'm here for and what I believe in." And no, after
spending most of her life entertaining fans throughout the globe,
it's time to unleash Paulina Rubio's unique appeal on American
audiences and prove once and for all that this girl's popularity
has no borders.